My artistic practice is rooted in a rural background in southern Spain, where my early relationship with animals, nature and traditional forms of making became a lasting source of curiosity. My family worked the land, while my grandmother was closely connected to textile practices including embroidery, weaving, esparto and wicker. These experiences established an early relationship with materials, craftsmanship and the natural world that continues to inform my work.

I hold a PhD in Fine Arts, and my education and professional experiences in Seville, London and Turin have exposed me to different cultural contexts and ways of understanding art. Moving between places also made me increasingly aware of how identity is shaped by context, displacement and belonging. Since 2015, I have been based in Andalusia, where my artistic practice has developed alongside my work as a researcher and educator.

Throughout my career, my body of work has gradually moved from intimate and autobiographical concerns to broader questions of identity, the body, belonging, and the relationship between the individual and the collective.

Research remains an essential part of this process, bringing together artistic practice with references from natural history, cultural history, and systems of classification. I understand these different strands of my practice as interconnected ways of exploring how we construct meaning around bodies, materials, places and relationships.